Warren Beatty Sued Over Dick Tracy

Actor Warren Beatty is being sued by Tribune Media Services over the film and television rights to the character of Dick Tracy, Reuters is reporting. The Academy-award winning actor directed and starred in a hit 1990 movie named after and based on the comic strip character. Tracy was originally created by cartoonist Chester Gould in 1931.
According to court papers, Beatty bought the film and TV rights to the character in 1985 and he claims to retain them. However, Tribune Media Services is arguing that the rights have reverted to them because Beatty has "made no productive use" of them for over a decade.
Beatty and Tribune have been battling over Dick Tracy for several years and this is not the first suit to be filed over the film and TV rights. According to the BBC, Beatty began legal action in 2005 in which he claimed to have given the rights to Disney to produce the 1990 Dick Tracy film. Disney subsequently returned them to him. He was also arguing that Tribune attempted to recover the rights illegally.
In November 2008 Beatty again filed a lawsuit against Tribune claiming that work he was doing on a television special connected with Dick Tracy entitled him to retain the rights. In the current lawsuit Tribune is said to be arguing that Beatty is producing the special only so that he can keep control of the rights.
Tribune Media Services is a unit of the bankrupt newspaper published Tribune Company and apparently believes that it could reap a large financial reward from the rights to Dick Tracy.

Talk with Stars Tonight, and Assist Haitian Relief in the Process

If you've been watching any of the major networks the past few days, then you're already aware of the Hope for Haiti Now: A Global Benefit for Earthquake Relieftelethon airing on ABC, CBS, NBC, FOX, CNN, BET, The CW, HBO, MTV, VH1, CMT, PBS, TNT, Showtime, COMEDY CENTRAL, Bravo, E! Entertainment, National Geographic Channel, Oxygen, G4, CENTRIC, Current TV, Fuse, MLB Network, EPIX, Palladia, SoapNet, Style, Discovery Health, Planet Green, CNN en Espanol, HBO Latino…and Canadian networks including CBC Television, CTV, Global Television, and MuchMusic.
A who's who of superstars are manning the phones tonight, so this is a wonderful opportunity to connect with a celebrity and let them know that you want to do something to help the ravaged Haitian country and its people.
Below is the official press release for the event…which is underway now…
"Hope for Haiti Now: A Global Benefit for Earthquake Relief," today announced that some of the biggest names in film, television, and music will be working the phones and taking donations from Los Angeles during tonight's broadcast. "Hope for Haiti Now" will air on Friday, January 22, 2010 at 8:00 p.m. ET/PT and 7:00 p.m. CT.
The lineup of superstar operators includes (in alphabetical order): Ben Affleck, Tim Allen, Jennifer Aniston, David Archuleta, Alec Baldwin, Ellen Barkin, Drew Barrymore, Jack Black, Emily Blunt, Russell Brand, Benjamin Bratt, Pierce Brosnan, Gerard Butler, Chevy Chase, Kristin Chenoweth, Sacha Baron Cohen, Common, Cat Cora, Bradley Cooper, Daniel Craig, Cindy Crawford, Penelope Cruz, Billy Crystal, John Cusack, Eric Dane, Ellen DeGeneres, Fran Drescher, Michael Clarke Duncan, Zac Efron, Jenna Elfman, Colin Farrell, Andy Garcia, Mel Gibson, Tyrese Gibson, Selena Gomez, Neil Patrick Harris, Taraji P. Henson, Dijmon Honsou, Vanessa Hudgens, Randy Jackson, Jimmy Jean-Louis, Dwayne Johnson, Nick Jonas, Kevin Jonas, Joe Jonas, Quincy Jones, Diane Keaton, Michael Keaton, Anna Kendrick, Greg Kinnear, Jane Krakowski, John Krasinksi, Jessica Lange, Taylor Lautner, Daniel Day Lewis, Jared Leto, Justin Long, Rose McGowan, Ewan McGregor, Toby Maguire, Ricky Martin, Katharine McPhee, Debra Messing, Alyssa Milano, Jack Nicholson, Keke Palmer, Holly Robinson Peete, Tyler Perry, Chris Pine, Jeremy Piven, Jeremy Renner, Tim Robbins, Ray Romano, Jeri Ryan, Meg Ryan, Zoe Saldana, Adam Sandler, Nicole Scherzinger, Gabourey Sidibe, Kimora Lee Simmons, Russell Simmons, Christian Slater, Steven Spielberg, Molly Sims, Ringo Starr, Charlize Theron, Ashley Tisdale, Marisa Tomei, Amber Valleta, Sofia Vergara, Mark Wahlberg, Joe Walsh, Sigourney Weaver, Forest Whitaker, Olivia Wilde, Rainn Wilson, Robin Williams, Reese Witherspoon, and Noah Wyle.
"Hope for Haiti Now" will begin accepting donations at 12:00 p.m. ET/9:00 a.m. PT on Friday, January 22 via the following methods:
Online: HopeforHaitiNow.org
Phone: 877-99-HAITI
Text: Text "GIVE" to 50555
Mail: Hope For Haiti Now Fund, Entertainment Industry Foundation, 1201 West 5th Street, Suite T-700, Los Angeles, CA 90017
"Hope for Haiti Now" will feature Wyclef Jean in New York City, George Clooney in Los Angeles, and CNN's Anderson Cooper reporting from Haiti, as well as President Bill Clinton, Ben Stiller, Brad Pitt, Chris Rock, Clint Eastwood, Denzel Washington, Halle Berry, Jon Stewart, Julia Roberts, Leonardo DiCaprio, Matt Damon, Meryl Streep, Morgan Freeman, Nicole Kidman, Robert Pattinson, Samuel L. Jackson, Tom Hanks, and Muhammad Ali.
"Hope for Haiti Now" will also include performances by Wyclef Jean, Madonna, Bruce Springsteen, Jennifer Hudson, Mary J. Blige, Shakira, and Sting in New York City; Alicia Keys, Christina Aguilera, Dave Matthews, John Legend, Justin Timberlake, Stevie Wonder, Taylor Swift, Emeline Michel and a group performance by Keith Urban, Kid Rock, and Sheryl Crow in Los Angeles; and Beyonce, Coldplay, and a group performance by Bono, The Edge, Jay-Z, and Rihanna in London.
"Hope for Haiti Now," will benefit Oxfam America, Partners in Health, the Red Cross, UNICEF, United Nations World Food Programme, Yele Haiti Foundation, and the newly formed Clinton Bush Haiti Foundation. Proceeds from "Hope for Haiti Now" will be split among each organization's individual funds for Haiti earthquake relief. With the exception of the Clinton Bush Haiti Fund, each partner organization was selected for its history of operation and collaboration within the NGO community in Haiti.
The event will be live streamed online globally across sites including YouTube, Hulu, MySpace, Facebook, Fancast, AOL, MSN.com, Yahoo, Bing.com, BET.com, CNN.com, MTV.com, VH1.com, and Rhapsody and on mobile via Alltel, AT&T, Sprint, Verizon, and FloTV. "Hope for Haiti Now" will also air internationally on BET International, CNN International, National Geographic, and MTV Networks International, which is available in 640 million homes worldwide. "Hope for Haiti Now" will be available non-exclusively to all terrestrial radio stations around the globe and SIRIUS XM Radio as a one time only radio broadcast via the MTV Radio Network and Westwood One.
Based on production needs and venue sizes, all "Hope for Haiti Now" studio locations will be closed to the media. Photos, pool video footage and talent interviews from "Hope for Haiti Now" will be serviced to news outlets immediately following the event.
"Hope for Haiti Now" is produced by Joel Gallen and Tenth Planet Productions, in collaboration with Viacom's MTV Networks and George Clooney.

Sony to Make and Release 4K Digital Films

Sony Pictures Entertainment will use 4K digital technology in the making of most of its filmed productions, Sony Electronics has announced.
"With the industry moving rapidly to embrace the improvement in quality that digital cinema can offer, we believe that 4K resolution gives audiences the best seat in the house," said Gary Martin, president of Production Administration and Studio Operations for Sony Pictures Entertainment. "That's why we will be making more of our filmed productions at full 4K resolution, scanning at 4K, using a 4K workflow process, and releasing a 4K DCP to theaters. The crisp and vibrant images provided by 4K are the only way to ensure that audiences both today and in the future will really be able to see the full range of what we can capture on film."
Sony Pictures has already released the summer blockbuster Hancock in 4K, with the motion picture grossing more than $600 million at the worldwide box office to date. Movies released in 4K can play in theaters with either 4K or 2K projectors. Among the next motion pictures to be digitally imaged in 4K by Sony Pictures, and available for 4K distribution, are expected to be 2012, Salt, and The Green Hornet, with more titles to be announced.
"This commitment from Sony Pictures continues the momentum that is building behind 4K," said Gary Johns, vice president, Digital Cinema Systems Division at Sony Electronics. "Exhibitors are realizing that 4K is a reality now, for enhancing their customers' experiences, and studio support is a critical element to take advantage of the superior resolution of Sony's 4K projection system. The growing number of 4K-equipped theaters will now have even more 4K content potentially available to offer their customers."

Big Screen, Big Problem?

If you are thinking of buying a big screen TV, you might think again on the basis of new work performed by a team of researchers at Scripps Institute of Oceanography at U.C. San Diego. Their study tried to estimate how much nitrogen trifluoride — a powerful greenhouse gas that is used in the manufacture of flat screen TVs — is in the atmosphere. The researchers’ findings indicate that it is at least four times more prevalent than previously estimated, according to a press release issued by the Institution.
Concerns were raised about nitrogen trifluoride (NF3) earlier this year in an article that was published in 'New Scientist' magazine. The article referred to work done by Professor Michael Prather from the University of California at Irvine. NF3 is considered to be 17,000 times more potent as a global warming agent than carbon dioxide on a molecule-for-molecule basis. It also survives in the atmosphere about five times longer than CO2. Don't panic if you ordered that 46-inch screen today, though. It is estimated that NF3 emissions currently contribute only about 0.04 percent of the total global warming effect contributed by current human-produced carbon dioxide emissions.
Of more concern is an increase in the production of NF3 to serve the consumer electronics market, including LCD TVs. Ironically news of the Scripps study was released on the same day as the announcement of a predicted increase in the market for NF3. A press release issued by Global Industry Analysts, Inc., a market research firm, says that the world nitrogen trifluoride market "is projected to reach 19.5 thousand metric tons by the year 2012." One of the main factors cited for this increase is a growing demand for LCD applications.
"Semiconductors end-use market represents the largest and the most mature application area for nitrogen trifluoride, accounting for over 45% share estimated in 2008," the release says. "Demand for nitrogen trifluoride from the LCDs end-use market, is forecast to display robust growth at a projected CAGR of 13.8% over the period 2011-2015 and surpass semiconductor industry demand by 2012."
Recent statements coming out of Panasonic, the world's largest consumer-electronics maker, are indicative of the strength of the market for flat-screen TVs. Sales of these products won't be hurt by the slowing economy because consumers tend to give them priority over other purchases, a spokesman for the company is quoted as saying on Bloomberg.com. According to that same site, sales of flat-screen TVs have helped Panasonic increase profits 86% in the first quarter of the year and the company is planning to open new flat-screen factories in the next two years in a bid to increase U.S. sales. However, sales growth of products such as flat-screen televisions is expected to be slower this year than last, according to Steve Baker, an industry analyst for NPD Group. In another article on Bloomberg.com, Baker is cited as saying that sales will rise by about three percent, compared with a rise of around 4.5 percent a year ago.
Previously it was thought that the amount of NF3 in the atmosphere in 2006 was less than 1,200 metric tons. The Scripps researchers estimate that the actual amount present two years ago was closer to 4,200 metric tons. The research also indicates that the amount of NF3 in the atmosphere this year is about 5,400, which is about 28.6% percent higher than the amount estimated for 2006. According to the news release, the quantity of NF3 in the atmosphere is increasing at about 11 percent per year.
The Scripps team analyzed air samples gathered over the past 30 years, working in association with the NASA-funded Advanced Global Atmospheric Gases Experiment (AGAGE) network of ground-based atmosphere stations. The researchers found that concentrations of the gas rose from about 0.02 parts per trillion in 1978 to 0.454 parts per trillion in 2008. The samples also showed significantly higher concentrations of NF3 in the Northern Hemisphere than in the Southern Hemisphere, which the researchers said is consistent with its use predominantly in Northern Hemisphere countries. The current observed rate of increase of NF3 in the atmosphere corresponds to emissions of about 16 percent of the amount of the gas produced globally.
NF3 is not currently covered under the Kyoto Protocol because information has been lacking on its potential impact on global warming. Scientists are now recommending that it be added to the list of greenhouse gases regulated by Kyoto.The complete press release from the Scripps Institution can be found here.The complete press release from Global Industry Analysts, Inc. is here.

Chinese Films Seek to Rival Hollywood

Look out, Hollywood, the Chinese box office is on course to set new domestic records. The question now is how to keep that upward direction going.
After a record $630 million take last year, the Chinese film industry is on pace to rake in $800 million in 2009. However, at an occasionally contentious panel last Sunday, leading filmmakers in the region suggested the business still needs to grow in sophistication, reports Variety.
Speaking at the 12th Shanghai International Film Festival, Yu Dong, head of the Polybona distribution group, said the industry only has "limited kinds of movies." He added that the next five to six years will be critical.
"The market has developed but outsiders will come in soon—like the arrival of Hong Kong directors. Also Hollywood, which was initially scared but now sees opportunities for co-production," said Yu at a forum entitled, "Made in China: What Kind of Films Does the Domestic Market Want?"
If ticket sales are any indication, what they want are more films like Crazy Stone, a Guy Ritchie-ish heist flick, and City of Life and Death, a drama about the Nanjing massacre. Both films' directors — Ning Hao and Lu Chuan, respectively — were on-hand at Sunday’s panel, and belong to a select group of mainland Chinese helmers known as the "100-Million Club", which consists of directors whose films have made more than 100 million yuan ($15 million) in China.
But another panelist, art house filmmaker Wang Xiaoshuai, criticized directors who go for commercial appeal.
"These films have all made more than 100 million yuan at the box office but as directors they fail," he said. "People say I should switch to commercial films but I want to stick to art. I believe in art and I believe in culture."
"I’m thinking of a greater good," said Wang, whose In Love We Trust won a Silver Bear for screenplay at Berlin last year.
The growing influence of Chinese films abroad has been helped by improved distribution. However, critics say Chinese filmmakers need to do less multi-tasking — they are often producer-distributor-helmer rolled into one — if they are going to have increased success abroad.
But Lu Chuan said the real problem is focusing on international film festivals instead of domestic audiences.
"Filmmakers are working in a changed market. Instead of deliberately separating art and commercial films, we should follow what the audiences want. The market is growing up and audiences are maturing,"he said.
"Arthouse and commercial films are in there together. What we acutely need in China are films like The Godfather or Apocalypse Now."

Steve Martin & Alec Baldwin Will Co-Host Oscars

The Academy of Motion Picture Arts and Sciences today announced that Steve Martin and Alec Baldwin will serve as co-hosts of the 82nd Academy Awards®, Oscar telecast.
"We think the team of Steve and Alec are the perfect pair of hosts for the Oscars," said Shankman and Mechanic. "Steve will bring the experience of having hosted the show in the past and Alec will be a completely fresh personality for this event."
"I am happy to co-host the Oscars with my enemy Alec Baldwin," said Martin.
"I don't play the banjo but I'm thrilled to be hosting the Oscars—it's the opportunity of a lifetime," said Baldwin.
Martin hosted the 73rd and 75th Academy Awards shows, earning an Emmy nomination for the first stint. He has also served as a presenter on the show several times, most recently at the ceremony in February when he appeared with Tina Fey. He is currently touring with the bluegrass band Steep Canyon Rangers in support of his latest album "The Crow: New Songs for the Five String Banjo." In 1977 and 1978 Martin won Grammys for Best Comedy Recording. He earned a third Grammy in 2001 in the Best Country Instrumental Performance category. In 2007 Martin earned a Kennedy Center Honor.
Baldwin was nominated for an Academy Award in 2003 for his supporting role in The Cooler. That year also marked his most recent appearance as a presenter on the show. Baldwin currently stars as Jack Donaghy on the comedy "30 Rock," a role for which he has won two Emmys (in 2008 and 2009). Baldwin earned a Tony nomination in 1992 for his performance in "A Streetcar Named Desire."
Academy Awards for outstanding film achievements of 2009 will be presented on Sunday, March 7, 2010, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.

Will 3-D Television Really Transform Home Entertainment?

We've been hearing a lot of talk in recent months about 3-D television, and how it is going to transform the home entertainment experience. The latest news in that trend comes from Toshiba and RealD, who have announced that they are set to cooperate in bringing 3D technology to Toshiba TVs, including support for the stereoscopic RealD Format, as Toshiba advances development of REGZA TVs able to deliver HD quality 3D content.
According to Toshiba, the companies will also work together on technology for active eyewear compatible with Toshiba 3D-enabled displays. I'll have a few thoughts about this in a moment, but first, here's the release:
"Toshiba plans to introduce 3D into our REGZA line-up of Full-HD LCD TVs in 2010, and we are delighted to work with RealD, the clear leader in the industry," said Masaaki Osumi, President and CEO, Digital Media Network Company, Toshiba Corporation. "Home viewing is fast moving toward the total immersion offered by 3D, and Toshiba is determined to be in the vanguard in delivering this experience."
"3D is opening new opportunities for home entertainment and we look forward to collaborating with Toshiba to bring an unmatched 3D experience to their products," said Michael V. Lewis, Chairman and CEO of RealD. "RealD 3D technology has revolutionized cinema and the RealD Format promises to deliver a similar premium entertainment experience to the home utilizing today's existing HD infrastructure."
The RealD Format is a proprietary version of a side-by-side 3D format that multiplexes a left eye and right eye 3D image stream into a single channel for delivery of HD 3D content to any 3D-enabled display type – plasma, LCD or DLP. The RealD Format uses a unique set of proprietary filters and other technologies making it compatible with today's HD infrastructure for high quality 3D delivered via cable, satellite, packaged media or the Internet.
So is this the next great leap, as Hollywood and electronics manufacturers suggest? I submit not. If you've seen Avatar, then you know that the 3-D used in the film was little, if any, better than other recent 3-D films. Moreover, there's that little matter of the glasses. As long as the 3-D experience requires glasses, the format will never enter the mainstream, in the opinion of this writer. Glasses have a way of adding depth, but causing one to lose the cinematic scale, as well.
So will this be an expensive failure for Toshiba and other companies, then? It's hard to say for sure. Certainly 3-D films are less likely to be pirated; a likely incentive for the studios. But I wouldn't be the least bit surprised if you could walk into a Best Buy in six years and pick up a "new" 3-D TV at cut-rate prices.
Now if you'll excuse me, the 1950s are calling…they want their fad back.

Randy Quaid’s Felonious Flight Comes to an End

Whatever happened to Randy Quaid? The Oscar-nominated actor — known for such films asBrokeback Mountain, Independence Day and National Lampoon’s Christmas Vacation — has gone off the rails in recent years, running afoul of the law in incidents ripped straight from the pages of Bizzaroworld.
Most recently, arrest warrants were issued for the couple after they reportedly failed to show up for a court hearing in Santa Barbara, Calif., on allegations they were squatting in the guest house of a Montecito home they once owned in the 1990s. Quaid's 47-year-old wife Evi was also charged with resisting arrest.
Last month, the couple were released from a West Texas jail after being arrested for allegedly skipping out on a $10,000 California hotel bill.
It seems their flight has finally come to an end in Vancouver, where both were arrested Friday on outstanding warrants from the United States.
They were scheduled to appear at a detention-review hearing before the Immigration and Refugee Board on Friday afternoon.
According to the Vancouver Sun, Vancouver police got a call for assistance on Thursday and while checking the identities of a man and woman, learned they were wanted on outstanding warrants.
Vancouver police turned the couple over to the Canada Border Services Agency.
Meanwhile, Duane Chapman — better known as Dog the Bounty Hunter — had been warning Quaid that he was going to track the actor down and bring him to justice. "I hope Randy Quaid and his wife are watching right now," Chapman said the Lopez Tonight show on Thursday.
"We're announcing he has the chance to call authorities and turn himself in—and at least do it for your wife and for how you were raised. If not, the Chapman family is coming after you."
Chapman said it was time for him to intervene in Quaid's life and try to set him on the straight and narrow.
"There's something going on in his life. You know him and I know him too. He's not the same guy, so we need to do an intervention, Dog style."
It's nice to know that Quaid has a humanitarian in his corner. Meanwhile, something tells us that the Quaids won't be skipping again anytime soon.
We're betting a movie-of-the-week is already in the works.

‘Avatar’ Prequel Story Being Penned by James Cameron

Producer Jon Landau has told MTV that James Cameron is presently hard at work penning the prequel to Avatar. But this story isn't intended for the big screen.
"Jim is going to write a novel himself," said Landau."Not a novelization. A novelization basically retells the story of the movie. Jim wants to write a novel that is a big, epic story that fills in a lot of things [we] won't have time to do in the movie, or maybe in sequels. [So the novel will] give a foundation for the world."
"It would be something that would lead up to telling the story of the movie," Landau added, "but it would go into much more depth about all the stories that we didn't have time to deal with—like the schoolhouse and Sigourney [Weaver's character] teaching at the schoolhouse; Jake on Earth and his backstory and how he came here; [the death of] Tommy, Jake's brother; and Colonel Quaritch, how he ended up there and all that."
Landau says that he hopes Cameron will be able to finish the novel in time to see it published by the end of this year.
To the best of our knowledge, this will mark the writer/director's first published work of fiction.
Just when you thought Cameron couldn't possibly be busy enough with other projects, not to mention prepping the Avatar sequel. Are you looking forward to this tome, or do you think the writer/director would have been better handing this off to an established novelist and focusing instead on the next movie?

Happy 98th Birthday, Joe Simon!

The names Joe Simon and Jack Kirby are widely regarded as legendary in the context of comic book history. Either in collaboration or independently, these men were responsible for creating some of the best-known superheroes. Starting out in the earliest days of comics, they also wrote and illustrated a multitude of titles that covered every major comic book genre.
Today, October 11, marks the 98th birthday of Joe Simon. Without his wonderful work with Kirby and other collaborators, we wouldn’t be eagerly anticipating The Avengers or enjoying many of the other blockbusting superhero movies that have become a staple of modern cinema. At CinemaSpy we wanted to mark Simon’s birthday with a look back at some of his pioneering work. Without question, his contribution to the rise of comic books as a popular and respected form of art and entertainment helped to set the stage for the multifaceted superhero franchises that enthrall the world today.
Simon and Kirby (whose real name was Jacob Kurtzberg) were born in New York in 1913 and 1917, respectively. The early years of their work coincided with the so-called Golden Age of Comics and their contribution to that period and beyond was enormous. Some of their earliest collaborations came at Marvel Comics’ predecessor Timely Comics, where they created Captain America (first published in 1941). Later they would contribute – individually or as a team – to the creation of other publications and characters, including the magazine Sick and the iconic superheros The Hulk, The Fantastic Four and X-Men. They would also work for Marvel’s chief rival, DC Comics, producing various titles that included the popular Boy Commandos.
The seemingly boundless energy and creativity of Simon and Kirby ensured that they were also responsible for producing many characters that are less well-known today. Those creations are nonetheless charming footnotes in the annals of comic book history. They include Stuntman, Fighting American, The Fly and the supernatural superhero The Vision. Some of these had more verve than substance, but they were essential to the development of superheros in general and reflect an age more interested in adventure than angst. Simon and Kirby didn’t restrict themselves to heroes, either. They effectively invented the romance comic book and contributed, with varying commercial success, to the science fiction, horror, war, western and humor genres.
In his introduction to Titan Books’ The Best of Simon and Kirby, Joe Simon recounts personal anecdotes of his early meetings with Kirby (who sadly died in 1994) and their subsequent collaboration. His comments show clear affection for his former partner. Of a young Kirby he says, “[he] was twenty-two years old, short and handsome, a slave to the Chinese danish.” He says that when he first saw Kirby’s art he felt that he would be proud to add his name to it. He also describes how Kirby was put to work during World War Two “painting clinical watercolors of patients’ frostbitten feet.”
The superhero characters, as represented in The Best of Simon and Kirby, are not as sophisticated as those in many of today’s graphic novels. Moreover, the Western tales reflect an age when historical accuracy was of less concern than entertainment value, the romance and horror stories are tame and the pre-spaceflight sci-fi is imaginatively absurd.
The fabulous artwork that accompanied some of Simon and Kirby's early works, as illustrated in The Best of Simon and Kirby.Simon and Kirby’s early works are no less enjoyable for being dated, though. Indeed, the characteristics that would be considered weaknesses today only highlight the historical significance of the pair’s entire portfolio. Their vintage works are indicative of the age in which the stories were written and of the market they were written for. These comics were intended as uplifting escapism, particularly during World War Two and the Cold War. In those days they served to keep up spirits and promote patriotism. Captain America and Fighting American were particularly potent symbols when their fists were flying at Nazi and Soviet agents.
Because early comic book stories had to be short, the writers sometimes had to resort to incredible leaps of happenstance in order to get the heroes where they needed to be. They were similar, therefore, to the B-grade movies that were popular in the years that the stories were published. This approach ensured, however, that the tales were dynamic and exciting . Those qualities were enhanced by the dramatic illustrations and striking colors that grace their pages.
Simon and Kirby’s early works might not be well known to the generations of children that flock to multi-million dollar comic book movies like The Avengers. Yet, they have all the color and vibrancy of today’s feature films without the need for high-definition and 3D. Those qualities ensure that they will always be timeless.

When Disney Meets Osama bin Laden

Two days after an elite US special forces team broke into Osama bin Laden’s Pakistan compound on May 1 and killed the al-Qaeda leader, Media Bistro reports the Walt Disney Company trademarked the term ‘Seal Team 6′, the name of the actual team of operatives who conducted the operation.
Seal Team 6 is regarded as the most highly trained of all Navy Seals; the best of the best.
(As an aside, the book, “SEAL Team Six: Memoirs of an Elite Navy SEAL Sniper”, is being rushed into stores this week ahead of its originally scheduled May 24 publication date.)
According to the US trademark service, Disney’s move covers, and we quote:
“Entertainment and education services, toys, games and play things; gymnastic and sporting articles (except clothing); hand-held units for playing electronic games other than those adapted for use with an external display screen or monitor; Christmas stockings; Christmas tree ornaments and decorations; snow globes, clothing, footwear and headwear.”
It’s perhaps the ultimate indignity for the man who claimed he despised Western Capitalism (though, notably, kept a collection of porn in his compound room), now that his death is feeding that very capitalistic machine.
How Disney plans to leverage the trademark is unknown. Though we expect that a movie about Seal Team 6 could be a possibility, toys and paraphernalia for kids is even more likely in the near future.
As we’ve previously reported, filmmaker Kathryn Bigelow is already hard at work on a movie about the assassination of the al Qaeda leader, Kill Bin Laden.

Stargate Goes Up For Sale…in Pieces

Want a piece of Stargate Command? CinemaSpy has learned that after hosting 14 years of Stargate production in Vancouver, Bridge Studios is to be the stage for a saddening sell-off of objects from the three series that made up the live-action parts of the franchise: Stargate: SG-1, Stargate Atlantis and SGU: Stargate Universe. The event will take place this coming Friday and Saturday.

Production on the Stargate franchise came to end after 17 seasons earlier this year following the regrettable cancellation of Stargate Universe and the permanent shelving of scripts for proposed spin-off movies from SG-1 and Atlantis. Universewas effectively killed in December 2010 when the US channel Syfy decided not to renew it for a third season due to poor ratings.
Despite the efforts of Brad Wright, a co-creator and executive producer on all three series, no replacement broadcaster could be found to allow production of SGU to continue in the form of movie follow-ups. Fan groups are still campaigning to save the show but it is virtually impossible to revive with the recasting of actors, dismantling of sets and now the sell-off of relics from all three series.
The ‘liquidation sale,’ conducted by Maynards, will include props, costumes, furniture, set decorations, memorabilia and other items from the three shows. It will take place at Bridge Studios’ FX Stage at 2400 Boundary Road in Burnaby, British Columbia on June 17 and 18. We’ve reproduced the advertisement below.

What has Monalisa got up her sleeve?

If the gist reaching the ears of Society Plus has a good stink to it the estranged Nollywood top actress and Glo ambassador, Monalisa Chinda’s lonely nights may just be coming to an end.
That is, if she’s not already wallowing in it already. Before you start running your mind rag, this is not about her publicised Henry guy, who many felt was ample enough to soothe the pains left by her ex, Dejo Richard, this is a new guy on the block who happens to be in the trade too.
The gist is that Monalisa has got a thing for this matinee dude, called Joseph Benjamin, who got his big break as a sidekick presenter on MTN Project Fame West Africa Season II.
This guy who now features on a soap ‘Tinsel’ running on Dstv is said to be in with the actress on a more than business tango unlike the “Tango With Me” flick he shot with Genevieve Nnaji. The word is that these two are running like rug rats and might already be doing what the minks do.
The public got a hint of what might have been brewing between this two when they were all over each other at the launch of ‘Jara’ an Mnet television flick to showcase the behind-the-scene lifestyle of Nollywood stars.
Both Monalisa and Joseph could not just live it down as they snuggled and giggled, nestling so close together all evening.

Who Wants To Be A Millionaire Presenter, Frank Edoho's Marriage Break Up Latest!

Wife moves out of home over inability to pay rent.
Sells off Lexus Jeep to make ends meet.
Contrary to his public posture, sources have reaffirmed that celebrated presenter of must watch television programme, Who Wants To Be A Millionaire, Mr Frank Edoho has indeed abandoned his family.
And not only this, fresh information has it that he has also stopped providing for his broadcaster wife, Kathrine and their three children.
He is said to have adopted this stance for close to a year now.
Information at our disposal revealed that Edoho had carefully masked the development from the public based on the after effect it might have on his job.
The promoters of his claim to fame, Who Wants To Be A Millionaire had warned him about any negativity about his person rubbing off their show.
He is widely seen as the face of the show all over town. It was their insistence that made him recalled his wife in the initial celebrated bust up that the couple later denied. There were talks of replacing him as presenter of the show before he bowed to the demand of the promoters of the show.
His present action of moving out of his matrimonial home and stopping all allowances due to the family for about a year is said to have started taking it’s toll on the wife and their three children.
Kathrine is said to have sold off the Lexus jeep her husband bought for her over inability to maintain it and part of efforts to make ends meet towards the end of last year.
In other to keep up appearances, she was said to have opted for another Jeep- though of lesser grade- identified as a Pathfinder.
She is said to have survived all these while on support from close knit family and friends in the know and her earnings as an employee of the Nigerian Television Authority.
But these efforts are evidently barely able to sustain her and the children.
Recent development has it that Kathrine has moved out of the home abandoned by Edoho over inability to continue paying the house rent.
The house located inside Chevron estate is said to go for around 3-4 million Naira per annum.
Unconfirmed sources described her new location as on ‘Abraham Adesanya’.
Further investigation revealed that as marriage break up generates increased public awareness by the concerned parties have started wading into the matter to patch things up before irreversible factors make the change in the marriage permanent.
Edoho, now living in a new apartment is said to be resisting the move- while maintaining public stand of just an everyday disagreement in the marriage.
The immediate reasons that resulted in the current state of the marital union are yet to be established.

Michael Jackson's Head of Security, Personal Assistant Reveal Frantic Details About Singer's Death

Prosecutors are calling a key witness Thursday in an attempt to show jurors that Michael Jackson's doctor delayed calling authorities on the day the King of Pop was found lifeless and was intent on concealing indications that he had been giving the singer doses of a surgical anesthetic.
As the involuntary manslaughter trial of Dr. Conrad Murray enters its third day, testimony will keep jurors focused on events in Jackson's bedroom during the frantic moments when efforts were made to revive the unresponsive pop superstar.
Sept. 28: Witness Faheem Muhammad testifies during the second day of Conrad Murray's involuntary manslaughter trial in the death of pop star Michael Jackson in downtown Los Angeles. (AP)
The panel has already gotten a glimpse into the entertainer's inner sanctum through photos and testimony. On Thursday, they will hear from the first bodyguard to reach the room after Murray summoned for help.
In testimony during a preliminary hearing earlier this year, Alberto Alvarez said Murray ordered him to stash away vials of medicine and an IV bag before calling 911. Jackson, his eyes and mouth open, appeared to be dead, he said.
The bodyguard's testimony is crucial to prosecutors' contentions that Murray delayed calling 911 and was intent on covering up evidence that he had given Jackson propofol in his bedroom, a far different environment than the surgical settings where it is normally administered.
Alvarez's testimony will likely be challenged by Murray's defense attorneys, who on Wednesday questioned Jackson's head of security and the singer's personal assistant about why they didn't reveal certain details about the day Jackson died to police for at least two months. Defense lawyer Ed Chernoff asked Faheem Muhammad and Michael Amir Williams about whether they conferred with Alvarez before their interviews with detectives.
Williams, who was Jackson's personal assistant, said his interview with detectives had been delayed. He testified Wednesday that he received an urgent phone call from Murray on the day of Jackson's death but wasn't told to call 911. He called Muhammad, who then dispatched Alvarez to Jackson's bedroom on the second floor of the singer's rented mansion in the ritzy Holmby Hills neighborhood of Los Angeles.
The room was off-limits to Jackson's staff, and Muhammad paused before racing up the stairs after reaching the mansion just before paramedics arrived.
He described a heart-wrenching scene. By then, he said, Jackson had been removed from his bed and was on the floor, where Murray, sweaty and frantic, was performing CPR.
Alvarez was pacing nervously, Muhammad told the jury. When he saw Jackson up close, he understood why.
"What did you observe about his face," prosecutor David Walgren asked
"That his eyes were open," Muhammad said. "That his mouth was slightly open."
"Did he appear to be dead," Walgren asked.
"Yes."
The bodyguard soon noticed that Jackson's children, Prince and Paris, had gathered by the doorway.
"Paris was on the ground, balled up crying," Muhammad said. He ushered the children out of the room, and then into a sport utility vehicle so they could follow the ambulance to the hospital.
Paparazzi were already swarming the perimeter of the mansion and were waiting at the hospital, Muhammad recalled.
Some of the scenes recounted by Muhammad will likely be repeated Thursday as prosecutors work to fill in other details about Murray's behavior after finding Jackson unconscious. Also expected to testify on Thursday are Kai Chase, a chef who spoke to Murray briefly on the morning of Jackson's death, and paramedics who also tried to revive the singer. The medics believed Jackson was already dead by the time they arrived, but Murray insisted the performer be taken to a hospital for additional resuscitation efforts.
Prosecutors contend Murray did not tell any of the bodyguards or emergency personnel that he had been giving Jackson propofol and other sedatives to help him sleep.
Chernoff claimed in opening statements that Jackson gave himself the lethal dose.
Much of the trial in later sessions will focus on the science of what killed Jackson, and dueling theories of Murray's role.
For at least another day, jurors will hear from witnesses who knew him when he was alive.

Tackles Cancer With Laughter, Dynamic Performances

But while most films dealing with the tender subject seem to focus on older audiences, this one slyly plays off the notion that most young adults think they are impervious to all of life’s cruel twists and turns. “50/50” gives a younger generation a sucker-punch of bittersweet humor to tell an uplifting, but ultimately frightening story.
Directed by Jonathan Levine (“The Wackness”) and based on a true story, “50/50” follows 27-year-old Adam Lerner (Joseph Gordon-Levitt) whose perfectly normal and successful life crumbles to chaos when he finds out he has a unique form of spinal cancer.
Screenwriter Will Reiser focuses on the emotional effects of having cancer and how it affects all surrounding relationships from family to work to sex, splitting the film down the middle as half tear-jerker and half side-splitting comedy.
Providing both pain and comfort for Adam are his uncompassionate girlfriend (Bryce Dallas Howard), who provides just as much heartache for him as his disease. Funny man Seth Rogen plays Adam’s larger-than-life pal who uses Lerner’s situation to hook up with single women and gets the two into some off-kilter situations. Rogen’s comic relief is hilarious, albeit occasionally excessive, and wonderfully counters the severity of Adam’s dilemma
The scenes between Adam and his mother (Angelica Huston) are particularly moving. The mother-son relationship is rocky at best and the tug-of-war between the characters brings out some of the best acting moments in the film.
Rounding out the film is Anna Kendrick’s sweet performance as Adam’s newbie therapist, whose inexperience helps the two face cancer together with fresh, young eyes.
The film never veers hard to either side of comedy or drama, maintaining a delicate balance between the two. Whenever the film feels like it may enter ‘after-school-special’ territory, it course corrects with some vulgar humor, usually at Rogen’s expense. Gordon-Levitt’s nuanced performance, especially, keeps the film grounded and realistic. The “3rd Rock From the Sun” star has come a long way and may see gold come awards season.
“50/50” certainly plays to Seth Rogen’s typical audience and the profanity may not be for everyone, but peppered among the scenes of crude dialogue and pot smoking is an inspirational and uplifting drama of a young man’s journey to embrace all that life, good or bad, throws his way.

Roman Polanski Apologizes to Woman He Raped When She Was 13

ZURICH, Switzerland – Oscar-winning director Roman Polanski apologizes to the woman he sexually assaulted when she was a 13-year-old girl in a new documentary that premiered Tuesday night at the Zurich Film Festival.
"She is a double victim: my victim and a victim of the press," he said in Laurent Bouzereau's "Roman Polanski: A Film Memoir," according to the Hollywood Reporter.
The Franco-Polish director was charged in 1977 for giving Samantha Geimer, who was 13 at the time, champagne and drugs during a photo shoot at the Hollywood home of actor Jack Nicholson.
The then 43-year-old filmmaker then had sex with her despite her protests.
Polanski pleaded guilty to unlawful intercourse as part of a plea deal in 1978, but fled the US before being sentenced. He has remained an active filmmaker from his home base in France and has avoided extradition to the US with limited travel.
France does not have an extradition treaty with the US.
In 2009, however, he was apprehended by Swiss authorities when he tried to attend that year's Zurich Film Festival to receive a lifetime achievement award. He spent 10 months there under house arrest before he was ultimately released.
Tuesday night he received a standing ovation at the festival as he finally accepted the award.
Polanski, 78, thanked the crowd, telling them it was "better late than never."
"It's a strange anniversary for me, two years, day for day [since his arrest in 2009]. … Certain parts of it I'd rather forget, but I'm happy to be here," he added.
Polanski won an Academy Award for Best Director for his 2002 film "The Pianist" but was unable to attend the Oscar ceremony in Los Angeles due to his legal issues.

Genevieve, Omoni Oboli Lose Out At AMAA Awards 2011

Nollywood actors Jim Iyke, Mike Eze Ruonye, Ini Edo, Aki, Joke Silva, Kate Henshaw and others
The seventh Edition of the Annual African Movie Academy Awards (AMAA) has come and gone. The Prestigious award ceremony took place at the Gloryland Cultural Centre, Yenagoa, Bayelsa State on Saturday, March 26, 2011 and was well attended by various Nigerian movie stars including Mike Ezeruonye, Majid Michel, Joke Silver, Jim Iyke, Kate Henshaw, Chinedu Ikedieze (Aki), Ini edo among others.
Notable performances on the night includes African pop duo P-square who wowed the audience with their dance routines.
Congolese movie ‘Viva Riva’ which initially led with 13 nominations received the most awards on the night; an outstanding number of six awards were for Best Production Design, Best Cinematography, Best Director (Djo Tunda Wa Munga) , Best Actor in Supporting Role (Hoji Fortuna), Best Actress in Supporting Role (Marlene Longage) and Best Film.
Surprisingly, Nigerian star actresses Genevieve Nnaji and Omoni Oboli who were up against each other in the Best Actress in Leading Role category for the movies ‘Tango with me’ and ‘Anchor baby’ respectively, both lost out to Manie Malone for the movie ‘Viva Riva’.
However, Nigeria bagged five awards on the night. They include Edward Kagutuzi in the movie ‘Mirror Boy’ for Best Young actor, ‘Inale’ for Best Soundtrack, ‘In America: The Story Of The Soul Sisters’ by Rahman Oladigbolu for Best Film for African Abroad and ‘Aramotu’ for Best Costume Design and Best Nigerian Film by Niji Akanni.
Best Film
Viva Riva – Djo Tunda Wa Munga (Congo)
Best Director
Viva Riva – Djo Tunda Wa Munga
Best Actress In Leading Role
Amake Abebrese – Sinking Sands
Best Actor In Leading Role
Themba Ndaba – Hopeville
Best Actress In Supporting Role
Marlene Longage – Viva Riva
Best Actor In Supporting Role
Hoji Fortuna – Viva Riva
Best Young Actor
Edward Kagutuzi – Mirror Boy
Best Child Actor
Sobahle Mkhabase (Thembi), Tschepang Mohlomi (Chili-Bite) And Sibonelo Malinga (Khwezi) – Izulu Lami
Best Film In African Language
Izulu Lami – Madoda Ncayiyana (South Africa)
Best Nigerian Film
Aramotu – Niji Akanni
Best Screenplay
Sinking Sands
Best Editing
Soul Boy
Best Cinematography
Viva Riva
Best Achievement In Sound
Shirley Adams
Best Visual Effects
A Small Town Called Descent
Best Soundtrack
Inale
Best Make Up
Sinking Sands
Best Costume Design
Aramotu
Best Production Design
Viva Riva
Best Film For African Abroad
In America: The Story Of The Soul Sisters – Rahman Oladigbolu (Nigeria/USA)
Best Diaspora Short Film
Precipice – Julius Amedume (UK)
Best Diaspora Documentary
Stuborn As A Mule – Miller Bargeron Jr & Arcelous Deiels (USA)
Best Diaspora Feature
Suicide Dolls – Keith Shaw (USA)
Best Documentary
Kondi Et Le Jeudi Nationale – Ariana Astrid Atodji (Cameroun)
Best Short Documentary
After The Mine – Diendo Hamadi & Dinta Wa Lusula (DRC)
Best Short Film
Dina – Mickey Fonseca (Mozambique)

Bare Escentuals Inspires Beauty Into Action With Its First-Ever Global Platform

San Francisco (September 2, 2011) /PRNewswire/ — Launching this September, Bare Escentuals (www.BareEscentuals.com) unveils its first-ever global creative platform and marketing campaign. Rooted in the company’s 35-year history, ‘Be a Force of Beauty’ amplifies the core belief that beauty can change the world, both by inspiring positivity and activating women to put beauty into action.
Playing off the notion, Pretty is. Beauty does.™ Bare Escentuals celebrates and gives emphasis to the influential power of beauty as more than meets the eye. By going beyond the surface visage, Bare Escentuals builds upon its heritage as an unconventional beauty brand, recognizing the opportunity to give women a voice and to champion the individual stories that represent their own ‘force of beauty.’
“Celebrating women isn’t new for us; it’s who we are and what we do. It’s always been more than a philosophy, it’s really our DNA,” explains Leslie Blodgett, Executive Chairman of Bare Escentuals. “We have a responsibility to not just tell a singular story of beauty, but rather share in the collective spirit of women around the globe.”
The new global platform is a natural extension to the brand and pays tribute to the millions of women that have established Bare Escentuals as the original community brand, that is as much about peer-to-peer community as it is about beauty products. A true testament to Leslie Blodgett’s legacy of fostering genuine personal relationships, ‘Be a Force of Beauty’ is the next evolution of the brand’s commitment to engage women in real, open and honest dialogue and will serve as a call-to-action to further ignite the conversation around beauty.
The first iteration of ‘Be a Force of Beauty’ will kick off in North America in early September and will roll out to international markets in Spring 2012, where each campaign will evolve from region to region. Supported by integrated marketing efforts, the campaign creative will feature five women, each personifying a ‘force of beauty’ as identified during a blind casting held in late summer. Recognizing that beauty is not solely defined by a physical manifestation, the methodology behind the blind casting is meant to highlight the symbolic relationship between confidence and beauty, demonstrating that it’s the effect of confidence on the world that is the hallmark of true beauty.
Bare Escentuals ‘Be a Force of Beauty’ Global Brand Campaign
The global campaign will be supported by TV, print, digital and social marketing efforts throughout the Americas, Europe and Asia. The campaign creative is designed to elicit a social discussion around beauty and motivate women into action, summarized by such taglines as, “Pretty is what you are. Beauty is what you do with it.”
“We wanted ‘Be a Force of Beauty’ not only to be relevant, but also tangible for women around the world,” commented Simon Cowell, Global CMO for Bare Escentuals. “We acknowledge that there is real power and potential in beauty and it’s our role to inspire women and serve as advocates to showcase the cultural impact beauty can have on humanity.”
With a large scope for interpretation, Bare Escentuals partnered with the photographer Rankin to inject soul into the print campaign, and director Gregory Maya for fifteen and thirty second TV spots and webisodes. Both were tapped to breathe life into the ‘Be a Force of Beauty’ anthem and bring a sense of authenticity and sincerity to the campaign by capturing an honest expression of inner beauty. To uphold this mandate for authenticity, Bare Escentuals intentionally chose to leave in the distinguishing characteristics of each woman appearing in the creative and all signs of life that represent their experiences to further add value and integrity to the campaign.
“This level of truthfulness became critical for us as we continued to ideate on this campaign,” noted Cowell. “‘Be a Force of Beauty’ really sums up our brand anthem and pays tribute to the legacy we’ve already established and also carries us into the future as we continue to expand our global footprint.”
bareMinerals READY™ Eyeshadow Fall 2011
The empowering message behind ‘Be a Force of Beauty’ augments the less-is-more approach of Bare Escentuals’ award-winning bareMinerals product line. Made with healthy, good-for-you ingredients, Bare Escentuals introduces bareMinerals READY™ Eyeshadow, a new innovative concept in solid mineral technology for Fall 2011. Created through a unique cold-pressed method, the formula combines a proprietary SeaNutritive Mineral™ Complex with powerful antioxidants, cold-pressed borage oil, caffeine and cucumber to deliver anti-aging benefits, including depuffing and antioxidant protection for a softer, smoother, revitalized eye area. Formulated without parabens, binders, fillers, and chemicals, bareMinerals READY Eyeshadow delivers on this less-is-more approach with a high-performance product that delivers beautifully smooth, vivid, long-wearing color with the added bonus of incredible skin-renewing benefits.
Pure, intense, provocative color—from high-impact drama to sublimely subtle—these are shades that inspire a thousand stories. There’s a narrative behind every bareMinerals READY Eyeshadow palette, deep meaning in every vibrant shade, and boundless beauty in the blendability. Introducing fifteen one-of-a-kind duos and four quads, each conceptual palette takes the guesswork out of makeup artistry with complementary shades that work seamlessly together for endless blending options to illuminate the eyes.
bareMinerals READY Eyeshadow will first appear in ‘Be a Force of Beauty’ creative this October 2011 to mark its official launch in North America, followed by a global roll-out in Spring/Summer 2012.

5 best Brad Pitt performances

LOS ANGELES (AP) — Choosing Brad Pitt's five best performances was tough, but getting a chance to look back on his career was a joy.
Ever since his breakout role as the sexy and mysterious drifter J.D. in "Thelma & Louise" (1991), Pitt has repeatedly proven that he's so much more than just a pretty face. He's shown a knack for choosing meaty, intelligent films and working with the most respected directors, which has allowed him to explore every facet of his versatile talent.
This week he stars in "Moneyball" as Oakland A's general manager Billy Beane, a role that lets him be both charismatic and vulnerable. It's some of his best work; here are five other examples:
— "Fight Club" (1999): The first rule of Brad Pitt is, it's impossible not to talk about Brad Pitt. He's larger than life here, mythological almost, as Tyler Durden, the leader of the secret fight club and the key to Edward Norton's salvation — or so he initially thinks. Sinewy and swaggering, Pitt radiates sexy masculinity in an almost primal way. The fact that he also challenges the men who follow him on emotional and psychological levels makes him not just charismatic but downright frightening. This is one of several films Pitt has made with director David Fincher — and you might put "Se7en" or "The Curious Case of Benjamin Button" on your list of his top performances — but this is the one that stands out most for me.
— "The Tree of Life" (2011): Between this and "Moneyball," Pitt is having a pretty great year. But the performances come in two films that couldn't be more different. Terrence Malick's hypnotic meditation on family, memory and the origin of life itself is full of mesmerizing imagery. But it also allowed Pitt to do some of the best work of his career as a husband and father of three in 1950s Texas. Pitt makes the character an intimidating figure, a capricious mix of toughness and tenderness. His actions may seem questionable, even abusive at times, but you get the sense that he's questioning, struggling, trying to figure out how to be the best man he can be without abandoning his traditional notions of manhood.
— "Inglourious Basterds" (2009): He's pretty much doing a bad impression of George W. Bush here — campy but irresistible — and it is always such a joy to watch him let go and goof off. Pitt tops a tremendous ensemble cast in Quentin Tarantino's daring, revisionist World War II saga as the twangy Tennessean Lt. Aldo Raine. He's the leader of a band of Jewish American soldiers who hunt Nazis with the goal of not just killing them but scalping them and sometimes carving swastikas into their foreheads. He offers a rousing mix of aw-shucks earnestness and slam-bang bravado.
— "Burn After Reading" (2008): Part of the beauty of Pitt is his willingness to toy with his own beautiful image. In the Coen brothers' comedy, he steals every scene he's in — and nearly walks away with the whole movie — as an overgrown child of a gym trainer whose bungled schemes get him in way over his head. Just his name alone, Chad Feldheimer, makes him sound like a first-class doofus, and one look at his blonde-streaked pouf tells you not to take him, or the film, too seriously. But Pitt brings an innocence to the role that makes him irresistible rather than obnoxious; with the shadow of superstardom looming so large, it's easy to forget he can be funny.
— "Snatch." (2000): Pitt went even deeper to play a weird, wild comic character here, going so far as to speak in an accent that made him completely unintelligible — but that's what made the performance hilarious. Guy Ritchie's comedy is full of his typically colorful characters, assorted British low-lifes and eccentrics. But Pitt steals the show as an Irish gypsy boxer who speaks in such a quick, mangled way, even the Brits can't understand him. In a recent Entertainment Weekly interview, he said he came up with the gibberish in a panic at the last minute when he couldn't quite nail the character's accent. But as with everything else, he made it look effortless.