Showing posts with label Top 10. Show all posts
Showing posts with label Top 10. Show all posts

Saturday, February 4, 2012

The New Jersey Nets


Devin: It all starts with his jumper. After starting the season just 25% from 16-23 feet, Deron’s finally connecting on those shots at a stunning 63% clip (29/46) in the past nine. He’s getting the same looks off curls and ball screens that he’s gotten all year, but that didn’t translate to made shots for whatever ethereal (or undercover) reason. He hasn’t made a vast transformation as a player — he’s still the same point guard he’s always been, running the floor and finding open looks for everyoneeven if his teammates can’t keep up with him. But for at least the past nine games, Deron’s done a rapid-fire progression to the mean, centered around hitting from midrange.
Are there any guards left on this team? Is Marshon just ducking Ricky?
Are you counting out the great Jordan Farmar?
Okay, that’s a joke, but Farmar and Williams have seen success on the floor together. Either one can handle PG duties and create off the ball, and D-Will is big and quick enough to guard most of the NBA’s 2′s. Since the Wolves play a lot of two-point guard rotations with Rubio, Luke Ridnour, and J.J. Barea, the Nets shouldn’t have too many issues tonight.
The loss definitely hurts, though. While he may not throw the behind-the-back bounce passes with purpose that Ricky does, there are few rookies in the league (Kyrie may be the only comparable one) with MarShon’s combination of outside and inside scoring ability. Before MarShon Brooks, we generally had to hope that Anthony Morrow’s floater and fadeaway post-up jumper were enough to throw off defenses; now we’ve got Brooks deking, faking, and spinning galore. He’s used the backboard about as well as anyone I’ve seen on jumpers and floaters and has scored a bunch of buckets just on his ability to loft the shot higher and off the glass alone. He’s attacked Dwight Howard in the lane and scored. He’s hit his open and contested jumpers with stunning regularity. He dropped 15 points in a half on the 3rd-best defense in the league, then didn’t try to force his offense when they threw doubles at him in the second half. He’s more mature and confident than I think anyone expected, without crossing the line into arrogance, and his conservative passing approach (more often than not swinging the ball up top rather than forcing passes into the lane) beget his low assist totals rather than a penchant for ballhogging.
I know Timberwolves fans are counting their lucky cinnamon sticks that they’ve landed such a talented point guard in Ricky Rubio, but MarShon’s ability thus far to create from anywhere without overplaying his usefulness has been an equally bright light in a mostly dark New Jersey cloud. We wish him well and hope he’s back to 100% soon.
And if anything, MarShon’s staying out extra time so that Ricky doesn’t get shown up and lose his bid at the Rookie of the Year award. See? He’s selfless! He can create for others in unique ways!
Seems like the Nets are really bad at defending the pick-and-roll. How do they stop the Wolves’ guards from exploiting that?
By hoping that the Wolves bigs can’t exploit it. The Nets switch on nearly everything, which usually means that the ballhandler’s defender gets switched onto a smaller player, then scrambles to recover for his own man. Of course, this means that Shelden Williams, Kris Humphries, and Johan Petro have to recognize that double-teams 30 feet from the basket aren’t prudent, and the remainder of the team has to recognize that there’s one man heading to the basket and that one defender needs to rotate. For the generic team, it’s not wholly difficult, but with the Nets, it’s a lot of hoping and praying. Luckily, the Timberwolves boast one of the few centers whose hands I trust less than Johan Petro’s. But if Ricky Rubio’s getting penetration in the lane and Love’s using his wide frame to clear out space inside, it’s going to be yet another long night defensively.

Friday, February 3, 2012

King Lebron James


Fresh off his appearance on "Saturday Night Live," Charles Barkley changed mediums Wednesday, but continued with a familiar theme: LeBron James as passive superstar.
Asked on Chicago's "Waddle & Silvy Show" about the Heat forward failing to even attempt a single shot in the fourth quarter of Tuesday's overtime loss to the Golden State Warriors, Barkley said it was just more of the same.
"I think LeBron James' personality is he just defers," he told the ESPN radio affiliate.
Barkley said it was no surprise that when Dwyane Wade returned from a three-game absence due to a bruised left foot, James' scoring total went down.
"He went from scoring 30 points a game last week when Dwyane was out to when Dwyane came back, he stepped back a little bit," Barkley said. "I tell people, LeBron James is a great, great player. But I think he's just one of those nice guys, 'Well Dwyane's back, I'm going to defer to him.'
"That's all it could be. To not take a shot . . .
"My personal opinion is he just doesn't have an aggressive personality."
Barkley said it simply might be who LeBron is.
"You saw when Dwyane was out, LeBron had like monster games," Barkley said, with James named NBA Eastern Conference Player of the Week each of the first two weeks of the season, even while missing a game last week due to a sprained left ankle. "He almost averaged a triple-double.
"He's a really nice guy. I've said that before. LeBron James is just a really nice guy."
James said following the loss to the Warriors that he simply was playing as a facilitator, praising the open looks the Heat got for the likes of Mario Chalmers.

On Volatility Among The NBA's Top Scorers


LeBron James is the most consistent of the NBA's top scorers. What's that worth? Who are the most volatile scorers in the league?
Follow @sbnation on Twitter, and LikeSBNation.com on Facebook.
Feb 2, 2012 - As we know based on the wide range of shooting percentages we see among the list of the NBA's top point producers, we know that not all scorers are created equal. Kobe Bryant is scoring a bit more than LeBron James per game this season, but Kobe needs four extra shooting possessions to reach that level. Carmelo Anthony is the league's No. 5 scorer, but takes more shots per game than two of the guys (Kevin Durant, Kevin Love) ahead of him on the list.
There's another way in which scorers differ: volatility. Some scorers are more reliable than others; there are the proverbial "you know you're going to get 20 points" guys and the "explosive scorers." We sometimes give credit to explosive scorers, even those in prominent offensive roles, because they could go off at any time and get their team back in the game.
But there's a flip side to that: they aren't necessarily dependable. In the NBA as in any competitive atmosphere, consistency has some importance. If a team's management doesn't know what they'll get out of a star any given night, it's hard to build a proper cast around him. Just how much of a drain excessive volatility is a question mark, at least for this column. (I have no doubt a team or three have conducted studies on the value of consistency, but there's nothing public or publicized in the NBA realm on that issue that I know of.) This exercise is meant to look at which players are volatile compared to their peers.
There are currently 15 players who have enough minutes to qualify for the leaderboards who are averaging 20 points per game this season, ranging from Dwight Howard's 20.1 average to Kobe's 30.0. To measure their scoring volatility, I borrowed a trick from finance: I took the standard deviations of the players' game-by-game scoring totals and divided by their scoring average. This gives us a volatility rating that allows us to compare 30-point scorers with 20-point scorers without bias.
What we found is not wholly surprising: 'Melo, who this week actually had a 1-point game, is the most volatile of the 20-point scorers this season, and not by a small margin. Anthony's game-by-game standard deviation is nearly half the size of his scoring average; he is almost as likely to have an extreme scoring performance (more than 34 percent above or below his average) as he is to have a normal one.
Howard, surprisingly, is right behind 'Melo. Seeing a big man so high on the list fights conventional wisdom, which is that since big men tend to have higher shooting percentages, their production is more reliable. While Kevin Love, Blake Griffin and LaMarcus Aldridge all seem to bolster that hypothesis with relatively low volatility marks, Howard -- a regular near the top of field goal percentage rankings -- is a blinking signal of doubt.
One possible explanation: Dwight earns so many free throw attempts and shoots them so poorly that if he has a bad day at the stripe, he's likely to have a bad day in the scoring column. (That the season has been short and that he had a monster scoring game against Golden State could affect things too, though the game didn't throw his average too far away from expectations.)
The other numbers aren't terribly surprising. LeBron is a clock; he's had just two games under 20 points in 21 outings and none under 16. Kevin Durant is similarly stable, with the second lowest volatility rating among the 20-point scorers. Chris Bosh is, other than Howard, the most volatile of the high-scoring big man, likely owing to his rare role as a third option on offense. (Not many third options average 20 a game.) Monta Ellis and Brandon Jennings live up to their reputations as "explosive," and Russell Westbrook looks more like Derrick Rose every day.
Again, we don't know how important volatility in scoring really is, so it's hard to place value on the predictability LeBron, Durant and most of the big men provide. But it's worth keeping an eye on as we suss out our expectations for what players can provide and how consistently they should do so.

Tuesday, November 8, 2011

Warren Beatty Sued Over Dick Tracy

Actor Warren Beatty is being sued by Tribune Media Services over the film and television rights to the character of Dick Tracy, Reuters is reporting. The Academy-award winning actor directed and starred in a hit 1990 movie named after and based on the comic strip character. Tracy was originally created by cartoonist Chester Gould in 1931.
According to court papers, Beatty bought the film and TV rights to the character in 1985 and he claims to retain them. However, Tribune Media Services is arguing that the rights have reverted to them because Beatty has "made no productive use" of them for over a decade.
Beatty and Tribune have been battling over Dick Tracy for several years and this is not the first suit to be filed over the film and TV rights. According to the BBC, Beatty began legal action in 2005 in which he claimed to have given the rights to Disney to produce the 1990 Dick Tracy film. Disney subsequently returned them to him. He was also arguing that Tribune attempted to recover the rights illegally.
In November 2008 Beatty again filed a lawsuit against Tribune claiming that work he was doing on a television special connected with Dick Tracy entitled him to retain the rights. In the current lawsuit Tribune is said to be arguing that Beatty is producing the special only so that he can keep control of the rights.
Tribune Media Services is a unit of the bankrupt newspaper published Tribune Company and apparently believes that it could reap a large financial reward from the rights to Dick Tracy.

Thursday, November 3, 2011

Sony to Make and Release 4K Digital Films

Sony Pictures Entertainment will use 4K digital technology in the making of most of its filmed productions, Sony Electronics has announced.
"With the industry moving rapidly to embrace the improvement in quality that digital cinema can offer, we believe that 4K resolution gives audiences the best seat in the house," said Gary Martin, president of Production Administration and Studio Operations for Sony Pictures Entertainment. "That's why we will be making more of our filmed productions at full 4K resolution, scanning at 4K, using a 4K workflow process, and releasing a 4K DCP to theaters. The crisp and vibrant images provided by 4K are the only way to ensure that audiences both today and in the future will really be able to see the full range of what we can capture on film."
Sony Pictures has already released the summer blockbuster Hancock in 4K, with the motion picture grossing more than $600 million at the worldwide box office to date. Movies released in 4K can play in theaters with either 4K or 2K projectors. Among the next motion pictures to be digitally imaged in 4K by Sony Pictures, and available for 4K distribution, are expected to be 2012, Salt, and The Green Hornet, with more titles to be announced.
"This commitment from Sony Pictures continues the momentum that is building behind 4K," said Gary Johns, vice president, Digital Cinema Systems Division at Sony Electronics. "Exhibitors are realizing that 4K is a reality now, for enhancing their customers' experiences, and studio support is a critical element to take advantage of the superior resolution of Sony's 4K projection system. The growing number of 4K-equipped theaters will now have even more 4K content potentially available to offer their customers."

Thursday, October 27, 2011

Chinese Films Seek to Rival Hollywood

Look out, Hollywood, the Chinese box office is on course to set new domestic records. The question now is how to keep that upward direction going.
After a record $630 million take last year, the Chinese film industry is on pace to rake in $800 million in 2009. However, at an occasionally contentious panel last Sunday, leading filmmakers in the region suggested the business still needs to grow in sophistication, reports Variety.
Speaking at the 12th Shanghai International Film Festival, Yu Dong, head of the Polybona distribution group, said the industry only has "limited kinds of movies." He added that the next five to six years will be critical.
"The market has developed but outsiders will come in soon—like the arrival of Hong Kong directors. Also Hollywood, which was initially scared but now sees opportunities for co-production," said Yu at a forum entitled, "Made in China: What Kind of Films Does the Domestic Market Want?"
If ticket sales are any indication, what they want are more films like Crazy Stone, a Guy Ritchie-ish heist flick, and City of Life and Death, a drama about the Nanjing massacre. Both films' directors — Ning Hao and Lu Chuan, respectively — were on-hand at Sunday’s panel, and belong to a select group of mainland Chinese helmers known as the "100-Million Club", which consists of directors whose films have made more than 100 million yuan ($15 million) in China.
But another panelist, art house filmmaker Wang Xiaoshuai, criticized directors who go for commercial appeal.
"These films have all made more than 100 million yuan at the box office but as directors they fail," he said. "People say I should switch to commercial films but I want to stick to art. I believe in art and I believe in culture."
"I’m thinking of a greater good," said Wang, whose In Love We Trust won a Silver Bear for screenplay at Berlin last year.
The growing influence of Chinese films abroad has been helped by improved distribution. However, critics say Chinese filmmakers need to do less multi-tasking — they are often producer-distributor-helmer rolled into one — if they are going to have increased success abroad.
But Lu Chuan said the real problem is focusing on international film festivals instead of domestic audiences.
"Filmmakers are working in a changed market. Instead of deliberately separating art and commercial films, we should follow what the audiences want. The market is growing up and audiences are maturing,"he said.
"Arthouse and commercial films are in there together. What we acutely need in China are films like The Godfather or Apocalypse Now."

Tuesday, October 25, 2011

Steve Martin & Alec Baldwin Will Co-Host Oscars

The Academy of Motion Picture Arts and Sciences today announced that Steve Martin and Alec Baldwin will serve as co-hosts of the 82nd Academy Awards®, Oscar telecast.
"We think the team of Steve and Alec are the perfect pair of hosts for the Oscars," said Shankman and Mechanic. "Steve will bring the experience of having hosted the show in the past and Alec will be a completely fresh personality for this event."
"I am happy to co-host the Oscars with my enemy Alec Baldwin," said Martin.
"I don't play the banjo but I'm thrilled to be hosting the Oscars—it's the opportunity of a lifetime," said Baldwin.
Martin hosted the 73rd and 75th Academy Awards shows, earning an Emmy nomination for the first stint. He has also served as a presenter on the show several times, most recently at the ceremony in February when he appeared with Tina Fey. He is currently touring with the bluegrass band Steep Canyon Rangers in support of his latest album "The Crow: New Songs for the Five String Banjo." In 1977 and 1978 Martin won Grammys for Best Comedy Recording. He earned a third Grammy in 2001 in the Best Country Instrumental Performance category. In 2007 Martin earned a Kennedy Center Honor.
Baldwin was nominated for an Academy Award in 2003 for his supporting role in The Cooler. That year also marked his most recent appearance as a presenter on the show. Baldwin currently stars as Jack Donaghy on the comedy "30 Rock," a role for which he has won two Emmys (in 2008 and 2009). Baldwin earned a Tony nomination in 1992 for his performance in "A Streetcar Named Desire."
Academy Awards for outstanding film achievements of 2009 will be presented on Sunday, March 7, 2010, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.

Sunday, October 23, 2011

Will 3-D Television Really Transform Home Entertainment?

We've been hearing a lot of talk in recent months about 3-D television, and how it is going to transform the home entertainment experience. The latest news in that trend comes from Toshiba and RealD, who have announced that they are set to cooperate in bringing 3D technology to Toshiba TVs, including support for the stereoscopic RealD Format, as Toshiba advances development of REGZA TVs able to deliver HD quality 3D content.
According to Toshiba, the companies will also work together on technology for active eyewear compatible with Toshiba 3D-enabled displays. I'll have a few thoughts about this in a moment, but first, here's the release:
"Toshiba plans to introduce 3D into our REGZA line-up of Full-HD LCD TVs in 2010, and we are delighted to work with RealD, the clear leader in the industry," said Masaaki Osumi, President and CEO, Digital Media Network Company, Toshiba Corporation. "Home viewing is fast moving toward the total immersion offered by 3D, and Toshiba is determined to be in the vanguard in delivering this experience."
"3D is opening new opportunities for home entertainment and we look forward to collaborating with Toshiba to bring an unmatched 3D experience to their products," said Michael V. Lewis, Chairman and CEO of RealD. "RealD 3D technology has revolutionized cinema and the RealD Format promises to deliver a similar premium entertainment experience to the home utilizing today's existing HD infrastructure."
The RealD Format is a proprietary version of a side-by-side 3D format that multiplexes a left eye and right eye 3D image stream into a single channel for delivery of HD 3D content to any 3D-enabled display type – plasma, LCD or DLP. The RealD Format uses a unique set of proprietary filters and other technologies making it compatible with today's HD infrastructure for high quality 3D delivered via cable, satellite, packaged media or the Internet.
So is this the next great leap, as Hollywood and electronics manufacturers suggest? I submit not. If you've seen Avatar, then you know that the 3-D used in the film was little, if any, better than other recent 3-D films. Moreover, there's that little matter of the glasses. As long as the 3-D experience requires glasses, the format will never enter the mainstream, in the opinion of this writer. Glasses have a way of adding depth, but causing one to lose the cinematic scale, as well.
So will this be an expensive failure for Toshiba and other companies, then? It's hard to say for sure. Certainly 3-D films are less likely to be pirated; a likely incentive for the studios. But I wouldn't be the least bit surprised if you could walk into a Best Buy in six years and pick up a "new" 3-D TV at cut-rate prices.
Now if you'll excuse me, the 1950s are calling…they want their fad back.

Tuesday, October 18, 2011

Randy Quaid’s Felonious Flight Comes to an End

Whatever happened to Randy Quaid? The Oscar-nominated actor — known for such films asBrokeback Mountain, Independence Day and National Lampoon’s Christmas Vacation — has gone off the rails in recent years, running afoul of the law in incidents ripped straight from the pages of Bizzaroworld.
Most recently, arrest warrants were issued for the couple after they reportedly failed to show up for a court hearing in Santa Barbara, Calif., on allegations they were squatting in the guest house of a Montecito home they once owned in the 1990s. Quaid's 47-year-old wife Evi was also charged with resisting arrest.
Last month, the couple were released from a West Texas jail after being arrested for allegedly skipping out on a $10,000 California hotel bill.
It seems their flight has finally come to an end in Vancouver, where both were arrested Friday on outstanding warrants from the United States.
They were scheduled to appear at a detention-review hearing before the Immigration and Refugee Board on Friday afternoon.
According to the Vancouver Sun, Vancouver police got a call for assistance on Thursday and while checking the identities of a man and woman, learned they were wanted on outstanding warrants.
Vancouver police turned the couple over to the Canada Border Services Agency.
Meanwhile, Duane Chapman — better known as Dog the Bounty Hunter — had been warning Quaid that he was going to track the actor down and bring him to justice. "I hope Randy Quaid and his wife are watching right now," Chapman said the Lopez Tonight show on Thursday.
"We're announcing he has the chance to call authorities and turn himself in—and at least do it for your wife and for how you were raised. If not, the Chapman family is coming after you."
Chapman said it was time for him to intervene in Quaid's life and try to set him on the straight and narrow.
"There's something going on in his life. You know him and I know him too. He's not the same guy, so we need to do an intervention, Dog style."
It's nice to know that Quaid has a humanitarian in his corner. Meanwhile, something tells us that the Quaids won't be skipping again anytime soon.
We're betting a movie-of-the-week is already in the works.

Monday, October 10, 2011

When Disney Meets Osama bin Laden

Two days after an elite US special forces team broke into Osama bin Laden’s Pakistan compound on May 1 and killed the al-Qaeda leader, Media Bistro reports the Walt Disney Company trademarked the term ‘Seal Team 6′, the name of the actual team of operatives who conducted the operation.
Seal Team 6 is regarded as the most highly trained of all Navy Seals; the best of the best.
(As an aside, the book, “SEAL Team Six: Memoirs of an Elite Navy SEAL Sniper”, is being rushed into stores this week ahead of its originally scheduled May 24 publication date.)
According to the US trademark service, Disney’s move covers, and we quote:
“Entertainment and education services, toys, games and play things; gymnastic and sporting articles (except clothing); hand-held units for playing electronic games other than those adapted for use with an external display screen or monitor; Christmas stockings; Christmas tree ornaments and decorations; snow globes, clothing, footwear and headwear.”
It’s perhaps the ultimate indignity for the man who claimed he despised Western Capitalism (though, notably, kept a collection of porn in his compound room), now that his death is feeding that very capitalistic machine.
How Disney plans to leverage the trademark is unknown. Though we expect that a movie about Seal Team 6 could be a possibility, toys and paraphernalia for kids is even more likely in the near future.
As we’ve previously reported, filmmaker Kathryn Bigelow is already hard at work on a movie about the assassination of the al Qaeda leader, Kill Bin Laden.

Thursday, October 6, 2011

What has Monalisa got up her sleeve?

If the gist reaching the ears of Society Plus has a good stink to it the estranged Nollywood top actress and Glo ambassador, Monalisa Chinda’s lonely nights may just be coming to an end.
That is, if she’s not already wallowing in it already. Before you start running your mind rag, this is not about her publicised Henry guy, who many felt was ample enough to soothe the pains left by her ex, Dejo Richard, this is a new guy on the block who happens to be in the trade too.
The gist is that Monalisa has got a thing for this matinee dude, called Joseph Benjamin, who got his big break as a sidekick presenter on MTN Project Fame West Africa Season II.
This guy who now features on a soap ‘Tinsel’ running on Dstv is said to be in with the actress on a more than business tango unlike the “Tango With Me” flick he shot with Genevieve Nnaji. The word is that these two are running like rug rats and might already be doing what the minks do.
The public got a hint of what might have been brewing between this two when they were all over each other at the launch of ‘Jara’ an Mnet television flick to showcase the behind-the-scene lifestyle of Nollywood stars.
Both Monalisa and Joseph could not just live it down as they snuggled and giggled, nestling so close together all evening.

Thursday, September 29, 2011

Tackles Cancer With Laughter, Dynamic Performances

But while most films dealing with the tender subject seem to focus on older audiences, this one slyly plays off the notion that most young adults think they are impervious to all of life’s cruel twists and turns. “50/50” gives a younger generation a sucker-punch of bittersweet humor to tell an uplifting, but ultimately frightening story.
Directed by Jonathan Levine (“The Wackness”) and based on a true story, “50/50” follows 27-year-old Adam Lerner (Joseph Gordon-Levitt) whose perfectly normal and successful life crumbles to chaos when he finds out he has a unique form of spinal cancer.
Screenwriter Will Reiser focuses on the emotional effects of having cancer and how it affects all surrounding relationships from family to work to sex, splitting the film down the middle as half tear-jerker and half side-splitting comedy.
Providing both pain and comfort for Adam are his uncompassionate girlfriend (Bryce Dallas Howard), who provides just as much heartache for him as his disease. Funny man Seth Rogen plays Adam’s larger-than-life pal who uses Lerner’s situation to hook up with single women and gets the two into some off-kilter situations. Rogen’s comic relief is hilarious, albeit occasionally excessive, and wonderfully counters the severity of Adam’s dilemma
The scenes between Adam and his mother (Angelica Huston) are particularly moving. The mother-son relationship is rocky at best and the tug-of-war between the characters brings out some of the best acting moments in the film.
Rounding out the film is Anna Kendrick’s sweet performance as Adam’s newbie therapist, whose inexperience helps the two face cancer together with fresh, young eyes.
The film never veers hard to either side of comedy or drama, maintaining a delicate balance between the two. Whenever the film feels like it may enter ‘after-school-special’ territory, it course corrects with some vulgar humor, usually at Rogen’s expense. Gordon-Levitt’s nuanced performance, especially, keeps the film grounded and realistic. The “3rd Rock From the Sun” star has come a long way and may see gold come awards season.
“50/50” certainly plays to Seth Rogen’s typical audience and the profanity may not be for everyone, but peppered among the scenes of crude dialogue and pot smoking is an inspirational and uplifting drama of a young man’s journey to embrace all that life, good or bad, throws his way.

Tuesday, September 20, 2011

UK police suspend demand for paper's hacking files

LONDON (AP) — London police said Tuesday they were dropping a demand that The Guardian newspaper reveal its sources for stories about Britain's phone-hacking scandal.
The Metropolitan Police said it "has decided not to pursue, at this time, the application for production orders" against the paper.
The Guardian said Friday that police were seeking a court order that would force the paper to unveil source material for stories about the scandal.
The stories include a July 4 article that revealed the now-defunct News of the World tabloid hacked into the voicemail messages of missing British schoolgirl, Milly Dowler, who was later found murdered.
The Guardian had vowed to fight the demand, and rival newspapers joined it in condemning the police move to uncover reporters' sources.
Officials with the paper could not immediately be reached for comment Tuesday night.
The Guardian has been at the forefront of reporting the hacking scandal, exposing the Rupert Murdoch-owned tabloid for routinely intercepting the voicemails of those in the public eye in its quest for scoops.
A police officer has been arrested on suspicion of leaking information about the force's hacking investigation to the newspaper.
The force said it would consult prosecutors about the next steps in its investigation of the officer.
It said in a statement that "despite recent media reports there was no intention to target journalists or disregard journalists' obligations to protect their sources."

Look! Up in the Sky! It’s the Dark Knight Rises Poster!


With rumors that the first teaser trailer for Christopher Nolan’s final installment in the Dark Knight saga will be attached to the upcoming Harry Potter movie, the first glimpses of the highly-anticipated movie are starting to trickle in.
Here then is the first look at the official poster for The Dark Knight Rises. Interesting, if a bit derivative of the poster for Nolan’s last blockbuster, Inception.
I sense this will be start of a marketing campaign that will see a series of posters to come…

Friday, September 16, 2011

loses equivalent of one Olsen Twin

Kirstie Alley, 60, long the butt of fat jokes, has finally shut up her critics. The “Dancing with the Stars” contestant has lost a jaw-dropping 100 lbs.
“I feel like I’m back in my element,” Alley told Entertainment Tonight. “I honestly didn’t even realize what I looked like.”
PHOTOS: Kirstie’s Weight Ups and Downs.
The former “Fat Actress” said she now fits into a teeny-tiny size 4. “Before ‘Dancing with the Stars,’ I bought these dresses from size 14 to 4,” she explained. “(They were) all the same dress, and I said, ‘You know what I really want? I really wanna be in this dress in a 4!’”
The now-skinny star even sashayed down the catwalk for designer Zang Toi during New York’s Fashion Week on Tuesday.
“I’ve known Zang since 1993,” Alley explained. “He just has the most beautiful clothes, period.”
While Alley lost the equivalent of one Olsen Twin, she’s not planning on going under the knife to remove any excess skin.
PHOTOS: Weight Yo-Yo Stars.
“I haven’t had plastic surgery,” said Allley. “Here’s the reason: People do plastic surgery to make you look younger. I don’t think it makes you look younger. I like it can make you look weirder.”

Even though she has a face and figure women half her age would envy, Alley says she isn’t looking for Mr. Right — she’s looking for Mr. Right Now. “This is what I think about sex,” Alley declared. “I think its fun to hookup every night for six months… Then it’s time to move on!”