Monday, May 28, 2012

Sweden Loreen Has Won The Eurovision Song Contest


Sweden Loreen
The singing grannies who hail from the Udmurt region of central Russia have captured plenty of hearts but couldn't quite win the Eurovision Song Contest, held Saturday evening in Baku, Azerbaijan.

They came in a distant second to Sweden's Loreen and her song "Euphoria." It may have been Sweden's biggest victory over Russia since 1700 at the battle of Narva — which probably didn't feature the special effects, zooming cameras and relentless passion that define Eurovision.

Euphoria has already topped the charts in five countries, including Sweden and neighbouring Finland. Norway had the dubious honour of last place.

Bagpipes, blindfolds and water fountains all featured in a typically extravagant contest, as well as a celebrated group of Russian pensioners, who performed Party for Everyone, a cross between a traditional folk tune and a dance track, to rapturous applause.

Ireland, who were represented by Jedward for the second year in a row, came 19th - with 46 points - an unexpected slump on their previous performance in 2011, which saw them come eighth.

Their performance of pop track Waterline closed with the 20-year-old Grimes twins jumping into a fountain in the middle of the stage.

This is an annual evening devoted to pop music, in all its excess. The Jedward twins from Ireland wore knight-in-shining-armor-meets-Buck-Rogers outfits. Epaulettes (of the John Paul Jones variety) popped up more than once. The Turks had a nautical theme, with vaguely Japanese-looking waves on the screen behind them, an occasional anchor popping up, and male dancers in capes who formed a boat at one point. ("Hope this lot go to Somalia with their ship," read one tweet.)

Sweden has won the Eurovision Song Contest.

Bookies favourite 28-year-old Loreen topped the leader board with 372 points for her club hit ‘Euphoria’, which has already reached number one in the charts back home.

“I couldn’t believe it. It was like everything just stopped. And still, I can’t really believe it. It will take me a couple of hours before I do,” said the former Swedish Idol winner.

There was a collective sigh of relief from many European countries when Sweden took the crown on Saturday night. The triumph means Stockholm will arrange next year’s song contest.

Though normally an honour for the winning nation, it’s seen as an unnecessary expense for some cash-strapped countries in these austere times.

Assange shot to fame earlier that same year when WikiLeaks enraged Washington by leaking thousands of secret US documents on the wars in Iraq and Afghanistan.

After he was arrested in London in December 2010 he spent more than a week in jail before being freed to live under strict bail conditions amounting to virtual house arrest.

Monday, May 7, 2012

Many Of The Players In The Game Of Thrones Hold Honor Paramount

Game Of Thrones
Many of the players in the Game of Thrones hold honor paramount—that's how we got into this messy clash of kings. But in this week's episode, deceit and betrayal reign.

Who betrayed their family and friends? Who had their prized possessions stolen from them? And who came thisclose to losing everything? Find out now:

If Daenerys Targaryen's three baby dragons are the metaphorical equivalent of the atomic bomb, we've got some rogue nukes out there in east.

Dany spent the episode, entitled "The Old Gods and the New," trying to buy ships and an army for her triumphant return to the Seven Kingdoms, only to return home to Xaro Xhoan Daxos' palace to find her prized possessions stolen and many of her men slain.

It appeared that one of those nasty, corrupt warlocks was carrying the toddler dragons off as the episode ended. Dark magic and dragon fire could be a pretty destructive combination, one thinks.

"Where are my dragons?" a distraught Dany shouted. (Poor Dany. Can't she marry Jon Snow already and take over the world as its true king and queen?) While Dany was suffering in the east, the west, as usual, was full of traitors.

The episode opened with the turncloak Theon Greyjoy seizing a lightly guarded Winterfell with a skeleton crew. "You don't give commands any more, little lord," Theon told Brandon Stark, whom he once might have considered his brother.

Winterfell: Theon Greyjoy (Alfie Allen) is working really hard to win the prize of most despised character. He comes raging in to take Winterfell from sweet little Lord Bran (Isaac Hempstead-Wright). In the process of flexing his new power, Theon gruesomely beheads Rodrik (Ron Donachie). Fortunately for Rickon (Art Parkinson) and Bran, Theon is largely still led by his libido and falls for Osha's (Natalia Tena) savage distractions. Osha, we've never loved you more.

Stark Camp: We know that no good can come from Robb's (Richard Madden) infatuation with Lady Talisa, the battlefield nurse. And in case we forgot, Mama Catelyn (Michelle Fairley) shows up just in time to remind Robb—and us—that he is promised to another. But there are more important things to worry about: Robb finally learns of Theon's treachery and Winterfell falling to the Greyjoys. Rage, rage, rage.

Qarth: For someone as awesome as the Mother of Dragons, it's really hard for a Khaleesi to get some damn ships and get started in this war. Daenerys (Emilia Clarke) is denied, propositioned and then—as if things couldn't get worse—she returns to find her people killed and baby dragons stolen. Who took them? We don't know. Who killed her people? We don't know that yet either. RIP Irri (Amrita Acharia). By the way, where was Jorah (Iain Glen)? We missed his pretty face and confessions of love admiration.

King's Landing: Well Joffrey (Jack Gleeson) didn't get torn limb from limb by an angry mob like we hoped, but fingers crossed for next week. On the upside Tyrion (Peter Dinklage) did get to slap him again. So satisfying. Of course, Joffrey has absolutely no regard for anyone, including his hostage/fiancée. Fortunately for Sansa (Sophie Turner), Sandor Clegane (Rory McCann) was there to save her from a gang rape. Family-friendly programming here, people.

Beyond the Wall: Jon Snow (Kit Harington) & Co. are working up in some pretty bleak territory when they come across some wildlings. Sweet dear Jon Snow who can't kill a woman, even she'd love to see him dead. Ygritte (Rose Leslie) gives him a run for his money, literally. By nightfall they are snuggling up. Granted she is tied up and trying to tease him. That oath of chastity has got to be bothersome. P.S. While we love Jon Snow's beautiful mop of hair, why does he never wear a hat?

Arya Stark, meanwhile, continued to impress Lord Tywin Lannister in her duties as his cupbearer at Harrenhal. Through not in the books, this Arya-Tywin interaction has had some of the show's best character development to date. Tywin revealed that Jaime Lannister has dyslexia and he used to tutor his son four hours a day. (Tywin is also more likable on the show than in the books.) He praised Arya's smarts ("Maybe you should devise our next battle plan") and when Tywin asked the Stark girl what killed her father, she said, "Loyalty." How true. Sad, but how true.

The moment where characters start to lose control is an exciting point in every story. And on tonight's Game of Thrones, some of our favorites battled to hold onto power in the face of naked rebellion. Theon struggled to control his captured Northerners, Joffrey struggled to control bitter mobs, Arya struggled to protect her identity and Jon Snow struggled to capture a hot Wildling prisoner. Perhaps most surprising, Dany will now have to struggle to keep her dragons (that last line is still echoing in my ears).

So let's stay calm as we make our way to the lifeboats, breaking down "The Old Gods and the New."

What drives Theon, and what we heard in his boastful, showy speeches yet again, is a need to trumpet not just his importance, but his existence. As the hostage/guest in the large, busy household of a lord with many other children, and as the son his father all but forgot, Theon always feels the need to assert himself, as if the world was constantly trying to forget about him (which, given his prickly personality, it probably was). His words and actions are all about trying to convince others that he matters -- and trying to convince himself too.

But you could see that he really didn't want to execute Cassel: Killing men in combat was one thing, but this was a very different affair. But he was in an impossible position, which you could see by the look on his face. He risked alienating his own men with one choice and the people of Winterfell with the other. That's to say nothing of the chunk of his soul that's been carved away by turning on the house he grew up in. He didn't always hate them, one surmises, which is why he couldn't answer Bran's question. The tragedy of Theon is that he's never had a safe place to put his love -- not with his family, not with his foster family -- and so his need for affection and attention slowly curdled into resentment and a tendency to bully.

"You are truly lost," Cassel says with a sneer, and even though Theon manages to eventually separate the old man's head from his body, Theon does look lost in that moment. There's no triumph in what he's done; his customary swagger is gone. He's torn between the Stark code he grew up with and the iron price his father demands. The old gods and the new give him no peace, and thus he retreats further behind a wall of brutality and posturing.

When he wasn't looking, Arya stole a note from Tywin that contained her brother Robb Stark's name, and is forced to use a second of the three deaths Jaqen H'ghar promised her covering up the theft.

Her half-brother (if anyone truly believes Ned Stark would father a bastard son, which your humble author does not) Jon Snow meanwhile refused to kill a wildling woman he captured named Ygritte, and she quickly develops something of a crush on him. You can see a line being drawn between Snow and Greyjoy, who were both somewhat of outsiders at Winterfell. Snow can't bring himself to execute a woman, while Greyjoy is pathetically chopping the head off an old man.

Thursday, May 3, 2012

Jim Parsons Won The Golden Globe Award For Best Performance In A Television Series


Jim Parsons
The Big Bang Theory, an American comedy television series created and executive produced by Chuck Lorre and Bill Prady. Like the name of the series itself, with the exception of the first episode—"Pilot"—episode titles of The Big Bang Theory always start with "The", and resemble the name of a scientific principle, theory or experiment, whimsically referencing a plot point or quirk in the episode. As of April 26, 2012, 109 episodes have aired.

In 2010, Jim Parsons won an Emmy Award for "Outstanding Lead Actor in a Comedy Series," and in 2011 he won the Golden Globe Award for "Best Performance by an Actor in a Television Series - Comedy or Musical," for his portrayal of Sheldon Cooper on THE BIG BANG THEORY. His performance also earned him a People's Choice nomination for "Favorite TV Comedy Actor" and the 2010 NAB Television Chairman's Award, which honors significant breakthroughs in television. Parsons was nominated for the TCA Award for "Individual Achievement in Comedy" two years in a row (2009 and 2010), and won the award in 2009. Recently, he received a nomination for "Best Actor in a Comedy Series" by the Broadcast Television Journalists Association for its very first Critics' Choice Television Awards.

In 2011, Parsons received a Theatre World Award for his debut Broadway performance as Tommy Boatwright in the Tony Award-winning revival of "The Normal Heart," starring opposite Ellen Barkin, John Benjamin Hickey and Joe Mantello. "The Normal Heart" was also presented with the Drama Desk Award for "Outstanding Revival of a Play" and "Outstanding Ensemble Performance." A critical sensation, the show also received nominations from The Outer Critics Circle for "Outstanding Revival of a Play," as well as five Tony Award nominations. The play ended its 12-week run at the Golden Theatre on July 10. Parsons' additional stage credits include "The Castle" for the Manhattan Ensemble Theater, "The Countess" for the Globe Theater, and "The Tempest" and "As You Like It" for the Houston Shakespeare Festival.

Later this year, Parsons will guest star on an episode of the sitcom "iCarly," starring Miranda Cosgrove.

On the big screen, Parsons will appear this fall in the comedy "The Big Year," opposite Rashida Jones, Anjelica Huston, Steve Martin, Jack Black, and Owen Wilson. Directed by David Frankel, the film is based on Mark Obmascik's tome about three men who try to outdo each other during a year-long competition to spot the rarest birds in North America. Parsons will play an avid birder in the contest. He will also appear in the upcoming feature film, "The Muppets," opening in theaters Thanksgiving 2011.

His other film credits include Todd Phillips' "School for Scoundrels," opposite Billy Bob Thorton and Jon Heder, and Chris Terrio's "Heights" opposite Glenn Close and James Marsden. Parsons also delivered scene-stealing performances in several independent films, including "Garden State," "Gardner of Eden" and "The Great New Wonderful."

Parsons earned a Masters in Fine Arts degree from the Old Globe Theater/University of San Diego and a BA from the University of Houston. Born and raised in Houston, he now resides in Los Angeles. His birth date is March 24.

Prior to THE BIG BANG THEORY, Kaley Cuoco was best known to television audiences for her role as Bridget Hennessy in the series "8 Simple Rules." Her other television credits include a recurring role on "Charmed," and guest appearances on "Complete Savages" and "Prison Break." Cuoco also starred in the cable movies "Fat Like Me," "Crimes of Fashion" and "The Hollow," and was seen in the miniseries, "10.5." Her other television movie credits are "Alley Cats Strike," "Toothless," "Attack of the 50Ft Woman," "Growing Up Brady," and the miniseries, "Dean Koontz's Mr. Murder." Additionally, Cuoco lent her voice to the animated series "Brandy and Mr. Whiskers" and "Loonatics Unleashed."

Cuoco began her acting career at a young age, modeling and appearing in commercials. Her first TV role was in 1992's "Quicksand: No Escape" opposite Donald Sutherland. She landed her first feature film role at the age of 8 in "Virtuosity." Her other film credits include "Picture Perfect," "Can't Be Heaven" and "Lucky 13." She also appeared on stage in community theater productions of "Fiddler on the Roof" and "Annie."

Recently, Cuoco appeared on the big screen in "Hop," opposite James Marsden. Additionally, she completed production on the independent feature, "The Last Ride," which is playing at film festivals across the country.

Cuoco is a gifted tennis player who also hikes, runs, rides horses, goes to the gym and spends time with her rescue dogs. She is involved in several charities, including EBMRF, the Humane Society, the Elisabeth Glaser Pediatric AIDS Foundation, Animal Avengers and PETA.

Speaking of emotional, Molaro warns that you may want to keep the Kleenex nearby for the season finale, which ends on a "semi-cliff-hanger." Multiple endings were not shot, so there is no chance of a last-minute switcheroo.

"The last scene of the last episode of Season 5 is so amazing that I have yet to watch it without getting choked up," Molaro says. "That goes for the table read to the run-throughs to shooting for the cameras to sitting in editing. I have gotten choked up every single time. Everybody's in the scene. It is really great. I'm not saying this to be promotional; I love it. When it airs, I will sit at home with my wife in my living room and watch it and I promise you I will cry. There was a lot of thought about how we would do what we're trying to do and I think it turned out quite nicely. Maybe I'm just a big softie. Maybe you're dead inside! Who knows? All I know is I was crying."